Phoibos Verlag, 2012. — 326 S. — (Wiener Forschungen zur Archäologie 15). Die vorliegende Publikation über das Friesprogramm des Theaters von Perge behandelt die Kentauromachie- sowie Gigantomachiefriese und umfasst damit zwei gleichermaßen wichtige wie umfangreiche kleinasiatische Friesprogramme römischer Zeit. Erstmals werden die pergäischen Friese zur Gänze vorgestellt. Sie...
Éditions Latomus, 2012. — 276 p. — (Collection Latomus 336). Among the stories surrounding the legendary foundation of the city of Rome by the twins, Romulus and Remus, previous scholarly attention has focused primarily on one scene - the depiction of the she-wolf nursing the twins following their miraculous salvation from the floodwaters of the Tiber. This book examines...
Federico Motta, 2006. — 385 p. In Occidente le più avanzate acquisizionii pittoriche nella resa dello spazio e nell'uso del colore e degli effetti di luce sono raggiunte nell'età di Alessandro Magno, sviluppandosi poi fino all'età augustea. La ricezione di queste raffinate conquiste tecniche macedoni in Magna Grecia e in Italia centro-meridionale è testimoniata da un patrimonio...
Corriere della Sera, 2005. — 418 p. — (Grandi Civiltà 1). In questo classico della riflessione storico-critica sulle civiltà antiche, Ranuccio Bianchi Bandinelli – con un linguaggio piano che rifugge dalle oscurità di certa critica d’arte – circoscrive l’esame dell’arte romana al luogo in cui questa si è formata: la città di Roma, centro di quel potere politico cui per secoli...
Biblioteca universale Rizzoli, 2002. — 477 p. Ranuccio Bianchi Bandinelli affronta lo studio della storia dell'arte romana dal 192 al 395 d.C., nel cosiddetto periodo tardo-antico che segna il trapasso dall'età classica al Medioevo, l'involuzione dell'arte ufficiale a Roma e nelle province e il fiorire di nuove modalità espressive nella scultura.
Thames and Hudson, 1970. — 442 p. The volume deals with Roman art in the center of power, that is, in Rome itself. All Roman art arises from an intellectualistic encounter with Greek art on a new social basis and not as an expression of a deep sentiment rooted in the spirit of determined social groups. Therefore his character was immediately eclectic, and he could immediately...
Thames and Hudson, 1971. — 465 p. Ranuccio Bianchi Bandinelli deals with the study of the history of Roman art from 192 to 395 AD, in the so-called late-antique period that marks the transition from the classical age to the Middle Ages, the involution of official art in Rome and in the provinces and the flourishing of new expressive modes in sculpture.
Mondadori, 2011. — 821 p. Il Mediterraneo e l'Europa, dal III secolo avanti Cristo al III dopo Cristo: questa l'estensione territoriale e cronologica di questo manuale, che affronta quindi un territorio molto ampio, ricchissimo di culture, di tradizioni, di religioni tra di loro diverse, ma che ad un certo momento cominciano a procedere in un'unica direzione, pur fedeli alle...
Metropolitan Museum of Art, 2010. — 50 p. When Mount Vesuvius erupted in a.d. 79, burying much of the region around the Bay of Naples in lava, one of the extraordinary Roman villas thereby preserved was that of P. Fannius Synistor at Boscoreale. Its discovery in 1899 revealed breathtaking wall paintings that were dispersed in 1903, with major portions acquired by The...
Franz Steiner Verlag, 2019. — 342 p. — (Forschungen zur antiken Sklaverei 43). Ubi servi erant? – Wo waren die Sklaven in der Antike? Die Antwort scheint auf der Hand zu liegen: Überall. Man findet Sklaven in den privaten Haushalten, in Handel, Handwerk und Verwaltung, im Kaiserhaus, in den Städten etc. Inschriften, Papyri, literarische und archäologische Zeugnisse sowie die...
Wiley-Blackwell, 2015. — 664 p. Roman art has become a valuable object of study, not only for its aesthetic qualities, but as a historical source in its own right. It provides us with insights into Roman self-perceptions, value systems, and ways of perceiving the world that complement information taken from written sources. In this Companion, the reader is introduced through...
John Wiley & Sons, 2015. — 674 p. — (Blackwell companions to the ancient world). A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art. Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range...
John Wiley & Sons, 2015. — 664 p. — (Blackwell companions to the ancient world). A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art. Offers comprehensive and original essays on the study of Roman art Contributions from distinguished scholars with unrivalled expertise covering a broad range...
Berlin: Deutsches Archäologisches Institut, 1989. — 138 S., 47 Taf. — (Das römische Herrscherbild, 1.4). Vorwort der Herausgeber Abkürzungsverzeichnis Wichtige Daten des Caligula Das Caligulabildnis auf Münzen Die Bildnisse Des Caligula Katalog Indices Abbildungsnachweise für die Münztafeln Abbildungsnachweise für die Tafeln Münztafeln Tafeln
Archaeopress, 2018. — 212 p. — (Archaeopress Roman Archaeology 50). The Hypogeum of the Aurelii: A new interpretation as the collegiate tomb of professional scribae' examines the frescoes of one of the most enigmatic funerary monuments of ancient Rome. The three chambers of the Hypogeum of the Aurelii, so-named from an mosaic inscription in one of the surviving chambers,...
McMullen Museum of Art, Boston College, 2014. — 365 p. Roman in the Provinces: Art on the Periphery of Empire" accompanies an exhibition of the same name that will open at Yale University Art Gallery in August 2014 and will travel to the McMullen Museum of Art at Boston College in February 2015. With objects assembled primarily from Yale University Art Gallery s world-class...
Knjizevni krug Split, 2010. — 334 s. — (Biblioteka Knjiga Mediterana 60). Na području nekadašnje rimske provincije Dalmacije dosad je pronađeno više od dvije tisuće sarkofaga koji potječu iz carskoga doba, a sačuvani su u cijelosti ili u fragmentima, s ukrasima ili bez njih. Njihov broj se međutim stalno povećava, pa je sada i znatno veći. Naime, brojni cijeli komadi i...
Cornell University Press, 1994. — 378 p. Built on the southwestern coast of Cyprus in the second century A.D., the House of Dionysos is full of clues to a distant life—in the corner of a portico, shards of pottery, a clutch of Roman coins found on a skeleton under a fallen wall—yet none is so evocative as the intricate mosaic floors that lead the eye from room to room,...
Jaca Book, 2021. — 259 p. — (Arte mondo). Lo sviluppo della ricerca storiografica e dell'archeologia hanno permesso di smontare il pregiudizio accademico che vedeva nell'arte romana il prolungamento decadente di quella greca. La cultura romana delle origini viene analizzata come koinè, comunità in gran parte omogenea che ha il suo fulcro nell'italia tirrenica Con un metodo...
University of Chicago Press, 2019. — 328 p. Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding...
Society for the Promotion of Roman Studies, 1982. — 282 p. — (Britannia Monograph Series 3). The first author's experience over more than 25 years in which he has restored 80 panels is recorded here, with art-historical comments by the second author. Examples from most parts of England are included in the catalogue, and the introduction discusses the nature of the evidence,...
Clarendon Press, 1978. — 404 p. Dunbabin studied at the University of Oxford, and was awarded her doctorate in 1970. Her thesis was titled Studies in the mosaic pavements of Roman North Africa. When Dunbabin started her DPhil there was little English-language research into Roman art. Her first book, The mosaics of Roman North Africa: studies in iconography and patronage with...
White Star, 2005. — 312 p. Viaggio alla scoperta dei capolavori d'arte e dei principali siti archeologici. This book represents a visual and spiritual journey to the sites of ancient Italian civilizations in a search for Italy's remote roots. Magnificent photographs of dozens of archaeological sites and museum pieces are accompanied by short, clear and scientifically accurate...
Cambridge University Press, 1995. — 375 p. — (Cambridge studies in new art history and criticism).
Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? Arguing from a close examination of ancient art images and texts, Jas...
Oxford University Press, 1998. — 297 p. — (Oxford history of art ).
This stimulating book offers an exciting new approach to the twin themes of the arts of the Roman Empire and the rise of Christian art. Beginning in the second century, with its rich revival of ancient learning and artistic practices, and ending in the fifth with Christian narrative and liturgical cycles and...
Cambridge University Press, 2014. — 528 p.
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from...
Princeton University Press, 2007. — 376 p. In Roman Eyes , Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and...
Princeton University Press, 2007. — 376 p. In Roman Eyes , Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and wall paintings to coins and...
2nd Edition — Oxford University Press, 2018. — 336 p. The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury...
2nd Edition — Oxford University Press, 2018. — 336 p. The passage from Imperial Rome to the era of late antiquity, when the Roman Empire underwent a religious conversion to Christianity, saw some of the most significant and innovative developments in Western culture. This stimulating book investigates the role of the visual arts, the great diversity of paintings, statues, luxury...
Los Angeles: J. Paul Getty Museum, 1981. — 144 p. Portraits, sometimes crude in their realism or gripping in the sense of a living person, were one of the great achievements of Roman Art. The collection of one hundred portraits in the Getty Museum is one of the largest in the world. Dr. Frel surveys the history of Roman portrait art in an often controversial introduction on the...
Oxford University Press, 2015. — 712 p. The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laocoön, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art,...
Oxford University Press, 2015. — 712 p. The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laocoön, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art,...
Thames and Hudson, 2020. — 408 p. A new history of Roman art and archaeology, from its very beginnings in Etruscan art to the adoption of Christianity. Mark D. Fullerton blends the art of the Roman period with its history of political intrigue, military and religious ideologies, and intercultural interaction. The book not only explores the art of Rome itself but also that of...
Thames & Hudson, 2019. — 408 p. This new survey makes sense of Roman art by placing works in their full historical context—showing students not only how but also why art was used in Roman society and politics (such as wealthy Romans sponsoring public projects to promote themselves). The book breaks new ground by devoting chapters to art from the provinces, rather than focusing...
Thames & Hudson, 2019. — 408 p. This new survey makes sense of Roman art by placing works in their full historical context—showing students not only how but also why art was used in Roman society and politics (such as wealthy Romans sponsoring public projects to promote themselves). The book breaks new ground by devoting chapters to art from the provinces, rather than focusing...
Thames & Hudson, 2019. — 408 p. This new survey makes sense of Roman art by placing works in their full historical context—showing students not only how but also why art was used in Roman society and politics (such as wealthy Romans sponsoring public projects to promote themselves). The book breaks new ground by devoting chapters to art from the provinces, rather than focusing...
Thames & Hudson, 2019. — 408 p. This new survey makes sense of Roman art by placing works in their full historical context—showing students not only how but also why art was used in Roman society and politics (such as wealthy Romans sponsoring public projects to promote themselves). The book breaks new ground by devoting chapters to art from the provinces, rather than focusing...
Thames & Hudson, 2019. — 408 p. This new survey makes sense of Roman art by placing works in their full historical context—showing students not only how but also why art was used in Roman society and politics (such as wealthy Romans sponsoring public projects to promote themselves). The book breaks new ground by devoting chapters to art from the provinces, rather than focusing...
Brill, 1990. — 228 p. — (Mnemosyne Supplements 110). This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were...
Oxford University Press, 2018. — 448 p. Across the Roman Empire, ubiquitous archaeological, art historical, and literary evidence attests to the significance of bathing for Romans' routines and relationships. Public baths were popularly viewed as necessities of daily life and important social venues. Given the importance of bathing to the Roman style of living, by endowing...
Oxford University Press, 2018. — 448 p. Across the Roman Empire, ubiquitous archaeological, art historical, and literary evidence attests to the significance of bathing for Romans' routines and relationships. Public baths were popularly viewed as necessities of daily life and important social venues. Given the importance of bathing to the Roman style of living, by endowing...
Archaeopress, 2023. — 170 p. — (Archaeopress Roman Archaeology 99). Lorsqu’Adolf Furtwängler, à l’occasion de l’étude de la collection Somzée, a déterminé le type Mars Ultor d’après une statuette de cette même collection, il a choisi de ne retenir comme éléments de comparaison que deux monuments : la pierre gravée de la collection Marlborough et un sesterce d’Antonin le Pieu....
Routledge, 1995. — 169 p. Michael Grant has specially selected some of the most significant examples of painting, portraits, architecture, mosaic, jewellery and silverware, to give a unique insight into the functions and manifestations of art in the Roman Empire. Art in the Roman Empire shows how many of the most impressive masterpieces were produced outside Rome, on the...
Routledge, 2013. — 168 p. Michael Grant has specially selected some of the most significant examples of painting, portraits, architecture, mosaic, jewellery and silverware, to give a unique insight into the functions and manifestations of art in the Roman Empire. Art in the Roman Empire shows how many of the most impressive masterpieces were produced outside Rome, on the...
Walter de Gruyter, 2013. — 512 S. — (Image & Context 11). Die Marc Aurel-Säule ist mit ihrem figurenreichen Fries ein Schlüsselmonument römischer Repräsentationskunst. Da sie selbst in der aktuellen Forschung stets im engen Vergleich mit der Trajanssäule betrachtet wird, steht eine systematische Analyse des Bildmaterials noch aus. Die vorliegende Arbeit gibt die scheinbar...
Oxford University Press, 2005. — 405 p. Statues of important Romans frequently represented them nude. Men were portrayed naked holding weapons. The naked emperor might wield the thunderbolt of Jupiter, while Roman women assumed the guide of the nude love-goddess, Venus. When faced with these strange images, modern viewers are usually unsympathetic, finding them incongruous,...
Oxford University Press, 2005. — 416 p. — ISBN13 9780199240494. — ISBN10 0199240493. Statues of important Romans frequently represented them nude. Men were portrayed naked holding weapons. The naked emperor might wield the thunderbolt of Jupiter, while Roman women assumed the guide of the nude love-goddess, Venus. When faced with these strange images, modern viewers are usually...
Verlag Dr. Kovac, 2009. — 370 s. Das Römische Reich befand sich in ständigem Kontakt und Austausch mit Fremden. In seiner riesigen Ausdehnung und seiner Eigenschaft als Vielvölkergebilde setzte sich auch seine Einwohnerschaft zum allergrößten Teil eben nicht aus stadt- und damit urrömischen Personen zusammen, sondern vielmehr aus Ex-Fremden. Trotzdem scheint in der römischen...
Phaidon Press Limited. 1983. — 322 p. — ISBN: 9780714823010 Extending in time from Early Rome to Late Antiquity, and including the provinces as well as Rome and Italy, the book covers a vast scope, ranging from architecture and painting to jewellery, coins and inscriptions. Richly illustrated and with detailed notes and bibliography, this survey is a comprehensive text for all...
Batsford, 1995. — 233 p. With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia--particularly in the golden age of Late Antiquity--rivals that of other provinces and deserves comparison with the art of metropolitan Rome. The originality and breadth of Henig's study is shown by its systematic coverage, embracing...
Walter de Gruyter, 2022. — 388 S. — (Decorative Principles in Late Republican and Early Imperial Italy 4). Dieses Buch zu römischen Haushaltsobjekten (instrumenta domestica) widmet sich der Komplexität und Gestaltung der vermeintlich kleinen Dinge des Alltags. Es rückt die Frage in den Fokus, wie verschiedene Gefäße, Geräte, Instrumente und Werkzeuge im Wohnkontext der...
Walter de Gruyter, 2022. — 388 S. — (Decorative Principles in Late Republican and Early Imperial Italy 4). Dieses Buch zu römischen Haushaltsobjekten (instrumenta domestica) widmet sich der Komplexität und Gestaltung der vermeintlich kleinen Dinge des Alltags. Es rückt die Frage in den Fokus, wie verschiedene Gefäße, Geräte, Instrumente und Werkzeuge im Wohnkontext der...
Phoibos Verlag, 2015. — 673 S. Zielsetzung der Dissertationsarbeit ist es, eine erstmalige und genaue Analyse der räumlichen Darstellungsmodi und Perspektiveformen in römischen Landschaftsbildern zu erarbeiten, um ausgehend davon die Strukturen der landschaftlichen Raumerfassung und bildlichen Wiedergabe landschaftlicher Raumzusammenhänge in römischer Zeit zu rekonstruieren....
Einaudi, 2002. — 196 p. — (Piccola biblioteca Einaudi. Nuova serie 171). Il libro di Hölscher offre una nuova lettura del classicismo dell'arte romana, svelandone caratteristiche poco indagate, seguendo ed interpretando i percorsi che hanno condotto alla cristallizzazione dei modelli greci durante l'epoca imperiale. Di qui la domanda che attraversa il volume: l'arte romana è...
Cambridge University Press, 2004. — 151 p. Tonio Hölscher develops a new theoretical concept for understanding the Roman art of images by establishing a connection between artistic forms and content and expressions of ideology--such as the glorification of state and ruler, war and triumph. A large role is played here by the reception of earlier images from Greek art. Roman art...
Oxford University Press, 2015. — 366 p. This is the first full study of Roman strigillated sarcophagi, which are the largest group of decorated marble sarcophagi to survive in the city of Rome. Characterized by panels of carved fluting - hence the description 'strigillated', after the curved strigil used by Roman bathers to scrape off oil - and limited figure scenes, they were...
Holle, 1980. — 240 S. — (Kunst der Welt). Wir sprechen im allgemeinen von römischer Kunst so, als handle es sich bei ihr um die Kunst eines Volkes. In Wirklichkeit ist aber ein »Römer« etwas anderes als etwa ein Grieche oder ein Ägypter. Er ist nicht ein Glied eines in einem klar bestimmten Raum ansässigen Volkes wie der Bewohner des Niltals zwischen dem vierten Katarakt und...
Greystone Press, 1965. — 270 p. — (Art of The World). Here is a survey of Roman art and culture from the time of the first settlements on the eastern bank of the Tiber to the moment when secular Rome was succeeded by ecclesiastical Rome during the middle ages. For a long time Roman art was considered essentially nothing but a derivative, provincial form of Greek art. It is the...
Yale University Press, 1992. — 477 p. Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their fora, basilicas, temples, and public baths, as well as in their houses, villas, gardens, and tombs. In this beautifully illustrated book--the first in almost a century devoted solely to Roman sculpture--Diana E. E. Kleiner discusses all...
Wadsworth Publishing, 2010. — 385 pages. A History of Roman Art (Enhanced Edition) is a lavishly-illustrated survey of the art of Rome and the Roman Empire from the time of Romulus to the death of Constantine, presented in its historical, political, and social context. This Enhanced Edition has added coverage on Etruscan art in the beginning of the text. All aspects of Roman...
Los Angeles: J. Paul Getty Museum, 1988. — 144 p. During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
C.H. Beck, 1982. — 435 S. — (Handbuch der Archäologie). Mit dem vorliegenden Band über die römischen Sarkophage wird die Behandlung der römischen Plastik im Handbuch der Archäologie eröffnet. bei den Sarkophagen handelt es sich - neben den Porträts - um die wichtigsten Denkmäler der kaiserlichen Plastik und um typisch römische Werke. Sie sind in großer Zahl erhalten geblieben...
Wissenschaftliche Buchgesellschaft, 1993. — 259 S. — (Handbuch der Archäologie). Aus der römischen Kaiserzeit, vor allem dem 2. und 3. Jh. n. Ch., ist eine große Anzahl an Sarkophagen (Särgen) erhalten. Derzeit kennen wir etwa 12000-15000 Exemplare. Sie können als eine für die römische Zeit typische Kunstgattung gelten. Eine große Anzahl ist aus Stein, meist aus Marmor,...
DuMont Buchverlag, 1977. — 234 S. Lebendig werden für den Leser Geschichte, Kunst und Leben der beiden Orte. Und vieles ergänzt und aktualisiert unser Wissen vom römisch-antiken Italien überhaupt. Was das Wort nicht mitzuteilen vermag, leistet der prachtvolle Bildteil dieses Kunstbandes. Über 300 Fotografien, darunter erfreulich viele hervorragend reproduzierte, meist...
Propyläen, 1966. — 784 S. Als die Renaissance die antike Kunst wiederentdeckte und sie zur Richtschnur ihres eigenen Schaffens erhob, war es die römische Kunst, die ihr zu einer Wiedergeburt verhalf und die die entscheidenden Anregungen für Architektur und bildende Kunst geben sollte. Raffael fußt ebenso auf ihr wie Michelangelo, Palladio greift ebenso auf sie zurück wie...
Verlag der Österreichische Akademie der Wissenschaften, 2004. — 312 s. Der Autor setzt sich im vorliegenden Band als Erster mit dem Germanenbild in seinem ganzen Umfang, wie es uns in den bildenden Künsten des Imperium Romanum begegnet, auseinander. Ausgehend von den vielfältigen Erscheinungsformen des antiken Fremden- bzw. Barbarenbildes wird versucht, das Germanenbild...
J. Paul Getty Museum, 2014. — 224 p. In 1830 a farmer plowing a field near the village of Berthouville in Normandy, France, discovered a trove of ancient Roman silver objects weighing some 55 pounds (25 kilograms). The Berthouville treasure, as the find came to be known, includes two statuettes representing the Gallo-Roman god Mercury and approximately sixty vessels - bowls,...
J. Paul Getty Museum, 2014. — 224 p. In 1830 a farmer plowing a field near the village of Berthouville in Normandy, France, discovered a trove of ancient Roman silver objects weighing some 55 pounds (25 kilograms). The Berthouville treasure, as the find came to be known, includes two statuettes representing the Gallo-Roman god Mercury and approximately sixty vessels - bowls,...
Römisch-Germanisches Museum der Stadt Köln, 1975. — 115 S. Wer von antiker Malerei redet, meint damit notgedrungen fast ausschließlich jene Wandgemälde, die in den 79 n. Chr. vom Vesuv verschütteten Landstädten Pompeji, Herculaneum und Stabiae die Wände der Häuser und Villen wohlhabender Bürger schmückten. Auch von anderen Orten kennen wir Wandmalerei, nicht zuletzt aus Rom,...
Cambridge University Press, 1991. — 264 p. This book is the first general history of Roman painting written specifically for English-language readers. Large numbers of wall-paintings have survived from the Roman world, and particularly from Rome itself and from the cities of Pompeii, Herculaneum and Stabiae, buried in the eruption of Mount Vesuvius in AD 79; they include...
Dr. Ludwig Reichert Verlag, 2021. — 369 p. — (Material Appropriation Processes In Antiquity 1). The majority of ancient statues can be typologised on the basis of formal overlaps, i.e. arranged in 'schemes'. Individual statue schemes were handed down over centuries in ever new versions and integrated into different material, spatial and functional contexts. These processes of...
Princeton University Press, 1965. — 142 p. At an early point in my studies of Late Antiquity I was struck by the marked similarity between the way in which the late antique state was organized and the predominating types of composition in both the figurative art and the architecture of that period. In my writings over the approximately thirty years I have devoted to the study...
Brill, 2012. — 148 p. — (Monumenta Graeca et Romana 20). The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is...
Skira, 1953. — 164 p. Tins book is intended to meet a need long felt by public and specialists alike : the need of a comprehensive and authoritative study of ancient Roman painting accompanied by color reproductions based on the most modern techniques. Until now no work covering the whole held of ancient mural painting, presented as an organic whole in conjunction with the...
Bloomsbury Academic, 2013. — 176 p. — (Debates in Archaeology) The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since...
Society for Libyan Studies, 1998. — 240 p. — (Supplements to Libya antiqua V). Volume IV: Part 1: The Mosaics and Marble Floors (D. Michaelides) presents a handsomely illustrated catalogue of 32 mosaic floors, one opus sectile pavement and one emblema known from Berenice.
Archaeopress, 2022. — 222 p. Le gemme romane e post-antiche del Museo Archeologico Nazionale di Cagliari presenta un catalogo di circa 200 gemme incise d’età romana e post-antica attualmente o un tempo conservate nel Museo Archeologico Nazionale di Cagliari (Sardegna, Italia). Grazie alla ricerca d’archivio e bibliografica, per numerosi reperti, è stato possibile determinare le...
Society for the Promotion of Roman Studies, 1981. — 299 p. — (Britannia Monograph Series 1). The introduction outlines the various schools of mosaics, the construction methods, the use of 'nets' in design. Geometric schemes are discussed, and then follows a catalogue of 87 mosaics (mainly those found after 1959) and drawings at 1/10 scale. The drawings are primarily records of...
Society for the Promotion of Roman Studies, 1981. — 299 p. — (Britannia Monograph Series 1). The introduction outlines the various schools of mosaics, the construction methods, the use of 'nets' in design. Geometric schemes are discussed, and then follows a catalogue of 87 mosaics (mainly those found after 1959) and drawings at 1/10 scale. The drawings are primarily records of...
Oxford University Press, 2022. — 240 p. — (Oxford Monographs on Classical Archaeology). It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All...
Oxford University Press, 2022. — 240 p. It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven,...
Oxford University Press, 2018. — 256 p. — (Oxford Studies in Late Antiquity). Sacred Stimulus offers a thorough exploration of Jerusalem's role in the formation and formulation of Christian art in Rome during the fourth and fifth centuries. The visual vocabulary discussed by Galit Noga-Banai gives an alternative access point to the mnemonic efforts conceived while Rome...
De Gruyter, 2019. — 432 p. It has long been an accepted assumption that the abstracted mode of visual representation that emerged in late antiquity reflected a collective shift from the outer-directed and 'material' world-view of classical antiquity to an inner-directed, 'spiritual' mentality informed by Christianity: the purpose of this volume is to offer a more nuanced and...
Mondadori, 2016. — 1374 p. "Foggeranno altri con maggiore eleganza spiranti bronzi, credo di certo, e trarranno dal marmo vivi volti, patrocineranno meglio le cause e seguiranno con il compasso i percorsi del cielo e prediranno il corso degli astri: tu, ricorda, o romano, di dominare le genti; queste saranno le tue arti, stabilire norme alla pace, risparmiare i sottomessi e...
Mondadori, 2016. — 1216 p. "Foggeranno altri con maggiore eleganza spiranti bronzi, credo di certo, e trarranno dal marmo vivi volti, patrocineranno meglio le cause e seguiranno con il compasso i percorsi del cielo e prediranno il corso degli astri: tu, ricorda, o romano, di dominare le genti; queste saranno le tue arti, stabilire norme alla pace, risparmiare i sottomessi e...
J. Paul Getty Museum, 2008. — 216 p. This is a superbly illustrated exploration of the finest ancient frescos found in Pompeii, Herculaneum, Oplontis, and Rome. Visitors to the residences of ancient Rome cannot help but be astonished by their grand architecture and enchanting wall paintings, still vibrant with cinnabar reds, golden yellows, and deep greens. "The Splendor of...
Archaeopress, 2017. — 350 p. — (Archaeopress Roman Archaeology 30). La caratteristica comune dei calendari figurati romani e bizantini consiste nella rappresentazione dei dodici mesi dell’anno, riferibile a un repertorio iconografico articolato in tre temi: quelli di tipo astrologico-astronomico, festivo-rituale e rurale-stagionale. Per quanto riguarda la prima tipologia, i...
Karl Robert Langewiesche, 1964. — 103 S. Uine römische Kunst gibt es an und für sich seit der GründungderStadt. Der sagenhaften Überlieferung nach war Rom im achten vorchristlichen Jahrhundert gegründet - das traditionelle Datum entspricht 753 v. Chr. -, nach der neusten archäologischen Einsicht darf man aber erst seit dem frühen sechsten Jahrhundertmiteinerwirklichen...
2nd revised Edition — Brill, 2016. — 381 p. — (Monumenta Graeca et Romana 18). This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an...
Archaeopress, 2023. — 396 p. De luxuria propagata romana aetate. Roman luxury in its many forms focuses on luxonomics, or the economy of luxury in Roman times, and how its study is an element that is essential to understanding the history of the period. This volume brings together the contributions of leading experts in the study of luxury to present the full range of...
Basel: Librum, 2017. — 186 p. With contributions by Alessandra Giumlia-Mair and photographs by Thanos Kartsoglou. Preserved intact, the gold bust of Emperor Septimius Severus from northern Greece is an outstanding example of Roman Imperial portrait art. It is one of just six emperors’ likenesses in gold that are known from Antiquity. Together with the famous gold bust of Emperor...
University Studio Press, 2018. — 339 σ. Επιστημονικά αναθεωρημένη, με πολλές νέες έγχρωμες εικόνες, η έκτη έκδοση της Ρωμαϊκής τέχνης αποτελεί μια ιδιαιτέρως ενδιαφέρουσα εισαγωγή στη ζωγραφική, γλυπτική, αρχιτεκτονική και τις διακοσμητικές τέχνες του ρωμαϊκού κόσμου. Με σαφείς και περιεκτικές αναλύσεις, το βιβλίο καλύπτει τα 1300 χρόνια από τους Ετρούσκους, τους προδρόμους των...
Giorgio Bretschneider, 1985. — 371 p. — (Archaeologica 36). Even in the German text, Riegl does not make for easy reading. He was a profound thinker, whose train of thought was precise but frequently expressed in a complicated manner. This translation attempts to be a correct translation of Riegl's thought rather than a paraphrase of his ideas. Therefore, certain terms such as...
Walter de Gruyter, 2015. — 768 S. — (Image & Context 13). Zu den beliebtesten Bildthemen römischer Friessarkophage gehört der blutige Kampf zwischen Amazonen und Griechen. Anders als lange vermutet, ging es den Auftraggebern dieser Sarkophage nicht in erster Linie um den glorreichen Sieg der Griechen, sondern um das grausame Todesschicksal der schönen Kriegerinnen, das...
Walter de Gruyter, 2015. — 640 S. — (Image & Context 13). Zu den beliebtesten Bildthemen römischer Friessarkophage gehört der blutige Kampf zwischen Amazonen und Griechen. Anders als lange vermutet, ging es den Auftraggebern dieser Sarkophage nicht in erster Linie um den glorreichen Sieg der Griechen, sondern um das grausame Todesschicksal der schönen Kriegerinnen, das...
Brill, 2020. — xxvi, 122 p. — (Monumenta Graeca et Romana 26). The essays in New Studies on the Portrait of Caligula in the Virginia Museum of Fine Arts address art historical, historical, cultural and museological issues raised by one of two surviving intact statues of the Roman emperor Caligula (r. 37-41 C.E.). Contributions focus on the creation of a 3D-digital model of the...
Oxford University Press, 2018. — 352 p. Within the newly thriving field of ancient Greek and Roman performance and dance studies, The Anatomy of Dance Discourse offers a fresh and original perspective on ancient perceptions of dance. Focusing on the second century CE, it provides an overview of the dance discourse of this period and explores the conceptualization of dance...
Augusta Raurica, 1993. — 232 S. — (Forschungen in Augst 17). Die früheste Erwähnung von Mosaikfunden aus Äugst findet sich in D. Bruckners Merkwürdigkeiten der Landschaft Basel von 1763: Er schreibt von «eingelegten und mit aller Gattung kleinen Steinen gezierten Fussböden der alten Römer»; einige Fragmente liegen in Abbildungen von E. Büchel vor. Erstaunlicherweise sind einige...
Schwabe Verlag, 2016. — 116 S. — (Schriften der Archäologie Baselland 52). Die Entdeckung des römischen Gutshofs von Munzach bei Liestal 1950 war eine Sensation. Die ganze Bevölkerung nahm Anteil an den Arbeiten. Schülerinnen und Schüler des Grabungsleiters Theodor Strübin sowie Erwachsene legten grösstenteils ehrenamtlich bei der Freilegung Hand an. Die Medien berichteten...
Berlin, Boston: De Gruyter, 2022. — 608 S. — (Materiale Textkulturen 35). The combination of image and text is a central element of Roman mosaics from the third to fifth centuries. This volume is the first to present a comprehensive media studies analysis of the complex medial configuration of these artworks that views both media as equal. It reveals mosaics’ communicative...
Berlin, Boston: De Gruyter, 2022. — 608 S. — (Materiale Textkulturen 35). The combination of image and text is a central element of Roman mosaics from the third to fifth centuries. This volume is the first to present a comprehensive media studies analysis of the complex medial configuration of these artworks that views both media as equal. It reveals mosaics’ communicative...
Karl Robert Langewiesche, 1968. — 82 S. Die römische Kunst entwickelte sich in der Auseinandersetzung mit den etruskisch-italischen und den griechisch-hellenistischen Vorbildern und Einflüssen in der Zeit der römischen Republik unter Sulla (geboren 138 v. Chr.), dem großen römischen Feldherrn und Staatsmann. Griechische Künstler auf italischem Boden, die unter dem Einfluß...
Verlag für Kunst und Wissenschaft, 1966. — 116 S. — (Deutsche Beiträge zur Altertumswissenschaft 19). Der historische Aspekt dieser Untersuchung leidet an dem circulus vitiosus aller archäologisch-historischen Untersuchungen: daß gewisse Erscheinungen geschichtlich betrachtet werden, die sich eigentlich erst verstehen ließen, wenn sie in einen bereits bekannten geschichtlichen...
Philipp von Zabern, 1987. — 218 S. — (Beiträge zur Erschliessung hellenistischer und kaiserzeitlicher Skulptur und Architektur 8). Die Nekropolen an den antiken Ausfallstraßen Roms waren jahrhundertelang der Plünderung ausgesetzt. Die vielgestaltigen Bauten, Einzelgräber wie auch Columbarien fanden das Interesse der Zeichner, die Fundstücke selbst, Sarkophage, Grabaltäre,...
De Gruyter, 2020. — 374 p. The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book...
De Gruyter, 2020. — 374 p. The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book...
Philipp von Zabern, 2006. — 517 p. — (Aphrodisias: results of the excavations at Aphrodisias in Caria 2). Aphrodisias is an unusally well preserved Greek city of the Roman period in inland Caria (S.W. Turkey) and has a remarkable body of surviving carved marbles with excavated contexts - statues, monuments, reliefs. A large proportion of the statues produced were portraits...
Oxford University Press, 2016. — 393 p. Spanning centuries and the vastness of the Roman Empire, The Last Statues of Antiquity is the first comprehensive survey of Roman honorific statues in the public realm in Late Antiquity. Drawn from a major research project and corresponding online database that collates all the available evidence for the 'statue habit' across the Empire...
Penguin Books, 1976. — 364 p. Donald Strong's book traces the development of Roman art from its beginnings to the end of the 4th century A.D., embracing the monuments of the Republic and then of the later Roman world, which extended from Britain to Mesopotamia and from the Rhine and Danube to North Africa. A special virtue is the demonstration of how all the arts of a given...
Ashgate, 2009. — xii + 231 p., 90 ill. This important book puts forward a new interpretation of Roman decorative art, focusing on the function of decoration in the social context. It examines the three principal areas of social display and conspicuous consumption in the Roman world: social space, entertainment, and dress, and discusses the significance of the decoration of objects...
Ashgate, 2009. — xii + 231 p., 90 ill. This important book puts forward a new interpretation of Roman decorative art, focusing on the function of decoration in the social context. It examines the three principal areas of social display and conspicuous consumption in the Roman world: social space, entertainment, and dress, and discusses the significance of the decoration of...
New York: The Metropolitan Museum of Art, 2007. — 210 p. This publication, Roman Art: A Resource for Educators, provides a comprehensive introduction informed by recent research for teachers and students eager to explore and understand Rome’s cultural and artistic legacy. As lead author, Associate Museum Educator Nancy Thompson has worked closely with her colleagues in the...
Cornell University Press, 1973. — 436 p. — (Aspects of Greek and Roman life 3). Animals in Roman Life and Art explores animals in Roman iconography, Roman knowledgeboth factual and fancifulabout various fauna, and Roman use of animals for food, clothing, transport, war, entertainment, religious ceremony, and companionship. Arranged by species, J. M. C. Toynbee's magisterial...
Frederick A. Praeger Publishers, 1965. — 271 p. — (Ancient Peoples and Places, Vol. 43). The term "Romans" is used here in its widest sense to include not only the inhabitants of Rome and Roman Italy, but all those peoples of the ancient world who looked to Rome as the center of their government and culture, from the time of her first territorial acquisitions outside Italy until...
Philipp von Zabern, 1983. — 573 S. — (Kulturgeschichte der Antiken Welt 17). Wer Rolle und Rang, Funktion und Stellenwert des Tieres und der Tierwelt im Leben Roms und in der römischen Kunst zu bestimmen und zu beschreiben sucht, begibt sich nicht eigentlich auf interpretatorisches Neuland. In diesem Buch wird auch hin und wieder ein Abstecher in den griechischhellenistischen...
Wiley-Blackwell, 2015. — 408 р. — ISBN: 978-1444330267. A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively...
Wiley-Blackwell, 2015. — 408 p. A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. - Extensively illustrated with 375...
Wiley-Blackwell, 2015. — 409 p. A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world. Extensively illustrated with 375 color...
Wiley-Blackwell, 2015. — 408 p. — ISBN-10 1444330268. — ISBN-13 978-1444330267. A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the...
BAR Publishing, 2014. — 201 p. — (BAR International Series 2654). This volume focusses on the mosaics and geometric designs from Écija, the ancient Roman Astigi, the capital of the Conventus Astigitanus, which is one of four conventus iuridici that made the Roman Baetica. This work is part of a much larger study centered recently on the mosaics and the geometrical compositions...
Belknap Press of Harvard University Press, 1968. — 586 p. The broad nature of Roman art is well known. Artistic developments from the Early Republic to Late Antiquity have been studied on a general basis and on the basis of trends in the provinces, influences on the main current of Greco-Roman classicism, and the emergence of new vocabularies in the late third century a.d. Still,...
Harvard University Press, 1968. — 576 p. Greek Art in an Imperial Polity Roman Imperatorial Architecture Roman Imperatorial Sculpture Epigraphic and Numismatic Evidence Single Monuments and Important Men The Great Antonine Altar at Ephesus Imperial Metalwork Numismatic Art Augustus and the Julio-Claudians Augustan and Julio-Claudian Commemorations The Flavian Dynasty Trajan and...
Glyptothek, 1979. — 125 S. Zu dieser ersten Sonderausstellung in der Glyptothek haben wir uns entschlossen, obwohl der Glyptothek dafür keine eigenen Mittel und schon gar keine separaten Ausstellungsräume zur Verfügung stehen. Aber auch für ein Antikenmuseum muß es heute selbstverständlich sein, hin und wieder mit einer temporären Ausstellung an die Öffentlichkeit zu treten. So...
Archaeopress, 2023. — 324 p. — (Archaeopress Roman Archaeology 106). Picta nilotica romana si occupa dell’analisi della pittura romana raffigurante il paesaggio nilotico. L’obiettivo è quello di presentare una metodologia di catalogazione dei reperti da una prospettiva iconografico-archeologica, che permetta di individuare modelli figurativi ricorrenti nel bacino del...
Belser, 1991. — 200 S. Die römische Kunst ist das Stiefkind der archäologischen Forschung, immer noch. Daher fehlen die nötigen Grundlagen, auf denen eine Stilgeschichte aufgebaut werden könnte. Stil als „äußere Erscheinung einer ganz bestimmten inneren Organisation" (Sedlmayr) ist aber anschaulich faßbar, so daß wenigstens versucht werden kann, ihn aufzuzeigen und zu...
New York: The Metropolitan Museum of Art, 1977. — 100 p.
Собрание предметов искусства поздне-римского периода из музея The Metropolitan Museum of Art.
Текст на английском.
R. Paknio leidykla, 1999. — 252 p. Išsamioje Romos meno studijoje seras Mortimeris Wheeleris aptaria architektūrą ir miestų planavimą, skulptūrą ir tapybą, sidabro ir stiklo dirbinius, keramiką – visa tai, ką vertinga istorijai paliko epocha. Meistriškai atrinkęs aptariamus objektus, pasitelkęs tinkamas iliustracijas, autorius pateikė raiškų be galo plačios Romos meno erdvės...
Berlin: Mann, 1971. — 260 S., 80 Taf. — (Das römische Herrscherbild, III/1). Справочник по римским императорским портретам 198-238 гг. Caracalla Geta Plautilla Macrinus Diadumenianus Elagabalus Iulia Maesa Iulia Soaemias Iulia Cornelia Paula · Iulia Aquilia Severa· Annia Faustina Severus Alexander Iulia Mamaea Orbiana Maximinus Thrax Paulina Maximus Caesar Gordianus I. und...
BAR Publishing, 2021. — 211 p. — (BAR International Series 3064). This fully-illustrated study brings together over 70 prints and drawings of mosaics from the collection of nearly 3,000 items formed by Richard Topham (1671-1730). Some are the only known records of mosaics that no longer survive, and many are published here for the first time. The book includes a detailed...
Philipp von Zabern, 2011. — 402 S. Die römische Kunst begegnet uns heute in vielfältiger Weise – in den großen Baudenkmälern im gesamten Imperium Romanum, an Ausgrabungsstätten und in Museen, deren oft reiche Schätze den Besucher faszinieren. Dabei beginnt diese Kunst – im Gegensatz zur griechischen – relativ spät: Erst im Prinzipat des Augustus erlebt sie eine erste Blüte,...
Phoibos Verlag, 2012. — 309 S. Den Ausgangspunkt der Arbeit bilden Versammlungs- und so benannte Kulträume städtischer Körperschaften mit ihrem Statuenschmuck, den dazugehörigen Inschriften und sonstigen Ausstattungselementen. Als grundlegendes Merkmal stellt sich heraus, dass diese für die frühe Kaiserzeit gängigen Einrichtungen von Kaisersälen zwar typologische Muster...
Oxford University Press, 2012. — 436 p. Roman sarcophagi have fascinated posterity since the Middle Ages, largely because of their mythological reliefs. Living with Myths provides a comprehensive introduction to this important genre, exploring such subjects as the role of the mythological images in everyday life of the time, the messages they convey about the Romans' view of...
Laterza, 2008. — 211 p. Gli studi tradizionali sull'arte romana hanno cercato di identificare uno stile indigeno distinto dall'arte greca e nel processo hanno trascurato il grande corpo di lavoro romano che ha riciclato creativamente le opere d'arte greche. Ora disponibile in brossura, questa nuova rivalutazione offre invece una storia culturale delle funzioni delle arti...
C.H. Beck, 2015. — 131 S. Mit dem Aufstieg Roms zum Zentrum eines riesigen Imperiums nahm auch die römische Kunst ihre spezifischen Züge an. Paul Zankers meisterhafte Darstellung zeigt, welche Rolle dabei die Aneignung der griechischen Kultur spielte und wie sich die Bildwelten des öffentlichen und des privaten Raumes in Republik und Kaiserzeit entwickelten. Dabei bringt er die...
C.H. Beck, 2015. — 131 S. Mit dem Aufstieg Roms zum Zentrum eines riesigen Imperiums nahm auch die römische Kunst ihre spezifischen Züge an. Paul Zankers meisterhafte Darstellung zeigt, welche Rolle dabei die Aneignung der griechischen Kultur spielte und wie sich die Bildwelten des öffentlichen und des privaten Raumes in Republik und Kaiserzeit entwickelten. Dabei bringt er die...
J. Paul Getty Museum, 2010. — 211 p. Traditional studies of Roman art have sought to identify an indigenous style distinct from Greek art and in the process have neglected the large body of Roman work that creatively recycled Greek artworks. Now available in paperback, this fresh reassessment offers instead a cultural history of the functions of the visual arts, the messages...
Metropolitan Museum of Art, 2016. — 295 p. Portrait sculptures are among the most vibrant records of ancient Greek and Roman culture. They represent people of all ages and social strata: revered poets and philosophers, emperors and their family members, military heroes, local dignitaries, ordinary citizens, and young children. The Met's distinguished collection of Greek and...
University of Michigan Press, 1988. — 396 p. "Art and architecture are mirrors of a society. They reflect the state of its values, especially in times of crisis or transition." Upon this premise Paul Zanker builds an interpretation of Augustan art as a visual language that both expressed and furthered the transformation of Roman society during the rule of Augustus Caesar. The...
2-е изд., испр. и доп. — Учебное пособие. — Красноярск: Красноярский государственный педагогический университет им. В.П. Астафьева, 2024. — 194 с. — ISBN 978-5-00102-692-1. Раскрывает этапы эволюции архитектуры, римского скульптурного портрета и монументально-декоративной росписи Древнего Рима как одной из ведущих цивилизаций Древнего мира. Предназначено студентам...
23 слайда. Есть иллюстрации с пояснениями. Периоды в культуре Древнего Рима Достижения римской цивилизации Архитектура Древнего Рима, храмовое строительство Римская скульптура Живопись
Казахстан, Алматы, КазГАСА, 2013. 16 слайдов. Искусство древнего Рима. Помпеи. Улица в городе. Колизей. Символ Рима - знаменитая Капитолийская волчица. Базилика Эмилия. Телега Нептунова. Пантеон. Фонтан Черепах. Рельеф с фигурами римских сановников. Храм Антонина и Фаустины. Храм Ромула. Ипподром Домициана.
СПб.: Санкт-Петербургский государственный технологический институт (технический университет), 2011. - 34 с.
Дисциплина - культурология.
Быт древних греков
Древнегреческая кухня
Греческий костюм
Общий вид греческих домов и их убранство
Нравы и обычаи
Древняя семья
Народные собрания
Общественная жизнь: праздники и развлечения
Заключение
Выходные данные не приведены. Автор неизвестен. — 7 с.
Арка Тита в Риме.
Конная статуя Марка Аврелия. Бронза. Рим, Капитолийская площадь.
Раннехристианский саркофаг. Мрамор. Сиракузы, Национальный музей.
Учебное пособие. — В 2-х частях. — Саратов: Институт искусств СГУ имени Н.Г. Чернышевского, 2017. — 61 с.: илл. Учебное пособие посвящено искусству Этрурии. Во введении говорится, что это изначальный этап, исток римского искусства. Основная часть содержит краткое изложение лекционного материала, включает перечень заданий для проведения текущей аттестации, методические указания...
Учебное пособие. — В 2-х частях. — Саратов: Институт искусств СГУ имени Н.Г. Чернышевского, 2017. — 57 с. Учебное пособие посвящено римскому искусству республиканского и императорского периодов. Содержит краткое изложение лекционного материала, включает перечень заданий для проведения текущей аттестации, промежуточного и итогового контроля, методические указания по подготовке...
Альбом. Перевод с польского: Юзеф Недома. — Варшава: Аркады, 1968. — 130 с. ; илл. — (Искусство и культура древнего мира. Том 2). Архитектура и искусство Пальмиры являются своего рода художественным феноменом в культуре Римской Империи, а открытые в результате археологических раскопок памятники и надписи - бесценными историческими документами. Именно в Пальмире впервые за всю...
Все говорят о значимости римской античной скульптуры, а о рельефе того же периода говорят как о части скульптуры, не акцентируя внимания на отдельных исследованиях. Поэтому реферат посвящен анализу литературы по данному вопросу.
В реферате рассматриваются:
Рельефы ранней римской империи
Рельефы Алтаря Мира
Рельефы триумфальных колонн
Примечание: реферат переведен с...
10 страниц, 50 иллюстраций. Каждый период имеет характеристику, перечень основных художественных форм и иллюстрирован 4-7 фотографиями наиболее известных и характерных работ. NB - в печатном виде выглядит очень красиво, но только при условии качественной печати. Работа от автора, в Сети не публиковалась. Сдано (ХГАДИ) Структура Общая схема развития римского скульптурного...
Искусство древнего Рима, как и древней Греции, развивалось в рамках рабовладельческого общества, поэтому именно эти два основных компонента имеют ввиду, когда говорят об "античном искусстве". Искусство Рима считают завершением художественного творчества античного общества.
Очерки истории и теории изобразительных искусств. — М.: Искусство, 1979. — 223 с. Введение. Доримская Африка. Города. Скульптура римского времени. Мозаики. Библиография. Список иллюстраций. 600 dpi, текстовой слой, интерактивное оглавление. Скан: ogmios.
Кн. для учащихся. — М.: Просвещение, 1996. — 224 с.: ил. Это оригинальное издание по курсу «Мировая художественная культура» продолжает рассказ об античном искусстве, начатый в книге того же автора «Искусство Древней Эллады». Книга познакомит вас с искусством Древнего Рима (эпохи Августа), научит видеть, понимать, анализировать различные произведения искусства. В конце книги...
Кн. для учащихся. — М.: Просвещение, 1996. — 224 с.: ил.
Это оригинальное издание по курсу «Мировая художественная культура» продолжает рассказ об античном искусстве, начатый в книге того же автора «Искусство Древней Эллады». Книга познакомит вас с искусством Древнего Рима (эпохи Августа), научит видеть, понимать, анализировать различные произведения искусства.
В конце книги...
М.: Искусство, 1983. — 155 с. От Септимия Севера до Диоклетиана в римской культуре III века в философии, религии, литературе, в архитектуре, живописи, мозаиках, рельефах, глиптике происходила решительная ломка античных форм и совершался переход к новым средневековым принципам воплощения действительности. Скульптурный портрет наиболее полно отразил тогда и тщетные попытки вернуться...
Москва: Искусство, 1970. — 280 с. — (Очерки истории и теории изобразительных искусств). Народы Европы в период первого тысячелетия до н. э. находились в тесном соприкосновении с греческими государствами, а с I в. до н. э. вошли в состав римской рабовладельческой державы. Римские европейские провинции играли важнейшую роль в жизни империи. Судьбы Рима и его провинций тесно...
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