Self-published by Billy Wellman, 2023. — 96 p. Do the names Michelangelo, Leonardo da Vinci, and Raphael ring a bell? If so, you are already somewhat familiar with the Renaissance, which saw a rebirth in the arts and science. Great strides were made in several fields, and many men made a name for themselves by creating masterpieces or developing new theories, even if some...
Oxford University Press, 2005. — 159 p. Artists like Botticelli, Holbein, Leonardo, Dürer, and Michelangelo and works such as the Last Supper fresco and the monumental marble statue of David, are familiar symbols of the Renaissance. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the...
Walter de Gruyter ; Medieval Institute Publications, 2021. — 356 p. — (Studies in Medieval and Early Modern Culture 77). Marcia Brown Hall (b. 1939) is an American art historian, who is the Laura H. Carnell Professor of Renaissance Art at the Tyler School of Art and Architecture of Temple University in Philadelphia. Hall's scholarship has concentrated on Italian Renaissance...
Москва: Искусство, 1975. — 128 с. Автор данного исследования впервые в нашей литературе об эпохе Возрождения ставит в центр внимания проблему исследования изобразительной художественной системы, блестяще развитой итальянскими живописцами XV века. Круг вопросов, затронутых автором, разнообразен: самому тщательному разбору подвергнуты проблемы иконографии сюжетов и...
Routledge, 2022. — 328 p. This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice. Examining a wide range of sources - the era’s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media - Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its...
CreateSpace Independent Publishing Platform, 2016. — 66 p. Lucas Cranach the Elder (1472 – 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced...
Пер. с англ.: Аделаида Герцык. — М.: Рипол Классик, 2018. — (Искусство и действительность). — ISBN 978-5-386-10402-3. «Прогулки по Флоренции» Джона Рёскина – путеводитель по раннему Ренессансу во Флоренции и одновременно школа взгляда, обучение видеть несходное в повторяющемся и сходство в непохожем. Рёскин научил воспринимать Флоренцию динамично, перейдя от восторгов к анализу...
Перевод: Екатерина Доброхотова-Майкова. — СПб.: Алетейя, 2017. — 408 с. — ISBN 978-5-906910-72-1. Эта книга известного английского историка искусства посвящена искусству итальянского Возрождения. В ней рассматриваются особенности творчества выдающихся художников этой эпохи: Боттичелли, Рафаэля, Мантенья, Джулио Романо, Пьомбо и др. Автор показывает тесную связь художников...
Arcade, 2019. — 312 p. Many believe Michelangelo's talent was miraculous and untrained, the product of "divine" genius - a myth that Michelangelo himself promoted by way of cementing his legacy. But the young Michelangelo studied his craft like any Renaissance apprentice, learning from a master, copying, and experimenting with materials and styles. In this extraordinary book, Alan...
Skyhorse Publishing, 2009. — 240 p.
You can not stand underneath the masterwork that is the Sistine Chapel without considering the genius and painstaking work that went into its creation. Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for...
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